Wednesday, May 18, 2016

Marvel Comics (1939) #1

The oldest comic I have under the Marvel copyright is the 1939 Marvel Comics anthology introducing early versions of The Human Torch, The Sub-Mariner, and Ka-Zar the Great.

Graphic with The Human Torch, The Sub-Mariner, & Ka-Zar Images from Marvel Comics (1939) #1
Surprising Details:

Marvel Comics (1939) #1 Page 1 Panel 3: Scientist Horton brags that he has created a synthetic man.While there are some other tales in this collection, there is a reason that these three figures are the ones who found new life again and again at Marvel.

My Human Torch has always been Johnny Storm, but the first one, I have discovered, is actually a "synthetic man" created to be an "exact replica of a human being." Unfortunately his creator, like Frankenstein, messes up. The inept scientist's synthetic man catches fire whenever he comes into contact with oxygen.

Marvel Comics (1939) #1 Page 16 Panel 9: Human Torch escapes Horton's evil intention to make a buck off his creation.The funny irony is that while everyone is amazed at this creature's ability to set the world on fire (quite literally), no one appears too awestruck by the fact that a synthetic man can reason and become morally indignant at the evilness of racketeers and the "selfish gain" The Torch's creator hopes to garner through his creation.

More Surprises:

The Sub-Mariner's animosity at humankind really is core to his character as it is established here in his first appearance, so I am not completely shocked when he kills a couple of human divers with his bare hands. However, I have found the amount killing in these early comics surprising, especially given my naive assumption that an honor code against killing existed amongst heroes from the very beginning. Not so.

Marvel Comics (1939) #1 Page 28 Panel 3: The Sub-Mariner crushes diver's helm with his bare hands.
Not So Surprising:

Ka-Zar (the Great) in this issue is not the Ka-Zar I grew up with. My Ka-Zar helps the X-Men when they crash-land in the Savage Land somewhere near the center of the earth (would that make it middle earth?).

Marvel Comics (1939) #1 Page 64 Panel 11: Zar (the lion) adopts David Rand as a son to be known thereafter as Ka-Zar.
This Ka-Zar, a young David Rand, more greatly resembles Tarzan. He lacks fear of the native animals of the jungle and is able to communicate with them, none of which is particularly surprising.

Final Notions:

One of the common elements in these comics put out towards the end of the Great Depression is that crime can only be stopped by "heroes" who can act outside of the law (i.e. with the same freedoms that the criminals do) because corruption is pervasive throughout the social institutions that are supposed to protect the people, including law enforcement.

Because of this systemic corruption, the only way to stop criminals from getting away with their crimes is for heroes to enact a more "permanent" solution outside the limits of the legal system. These heroes kill (or cause bad guys to die in an effort to pursue/elude them).

But that appears to be okay because all these bad guys are straw men with no deeper motivation than megalomania and/or greed. These heroes aren't killing people but the crime and corruption these bad guys represent.



Marvel Comics (1939) #1 Cover
Series: Marvel Comics (1939)

Issue #: 001

Copyright: Marvel

Cover Date: October 1939

Cover Price: 10¢

Page Count:  64 pages

Print Release: 25-August-1939

Digital Release: 07-October-2014




Writer:
Marvel Comics Logo
Penciler:
Inker:
Colorist:
None Listed
Cover Art:
Source Links:
Story Title:
“The Human Torch”

Writer:
Marvel Comics Logo
Penciler:
Inker:
Colorist:
None Listed
Cover Art:
Source Links:
Story Title:
“The Sub-Mariner”

Writer:
Marvel Comics Logo
Penciler:
Inker:
Colorist:
None Listed
Cover Art:
Source Links:
Story Title:
“Adventures of Ka-Zar the Great”



Monday, May 16, 2016

Detective Comics #29-33

My collection contains few of the classic comics; those that I have were purchased primarily for the first appearances of the major characters from the Big Two.

Detective Comics (1937) #31 Page 6 Panel 6: Batman is attacked by a giant ape in his search for Bruce Wayne's fiancee, Julie.
Weird-Ass Shit #1: "Warm Reception" 
= Giant Ape
Many of the iconic elements from these comic book stories have entered into the general lexicon, especially now that superhero movies have come to dominate the summer box office.

The Batmobile, Kryptonite, Cap's Shield, Gamma Radiation, we all have a basic understanding of what began with these early issues, and many of those details can indeed be found in those original mags.

But let me assure you, there is some really weird-ass shit in those early issues as well.

Most Amusing Panel Prize:

When Bruce Wayne visits the doctor to tend to his bullet wound (suffered while pursuing the bad guys as Batman), Bruce explains his injury with: "I do funny things sometimes."

Detective Comics (1937) #29 Page 7 Panel 4: Bruce Wayne visits a doctor to treat his bullet wound (which he suffered while fighting crime as Batman).

The Batman stories in Detective Comics #29 and #30 both feature Doctor Death such that they effectively function as a two-parter. Batman then battles the Master Monk in issues #31 and #32: "Batman Versus the Vampire" parts 1 & 2. Both sets of stories were written by Gardner Fox.

Detective Comics (1937) #31 Page 1 Title Panel: "The Batman...weird menace to all crime -- at last meets an opponent worthy of his mettle. A strange creature, cowled like a monk, but possessing the powers of Satan!..."


As the title panel that begins issue #31 admits, Batman is a "weird menace to all crime." (The description that follows -- intended for the Master Monk -- could actually be used to describe this early version of Batman if one merely replaced "cowled like a monk" with "cowled like a bat.")

The weirdness resides on multiple levels. For example, Doctor Death has a pair of henchmen -- a "giant Indian" and a "Cossack" (whose depictions border on the racist with stereotypical dress and a strange skin-coloring choice) -- henchmen whom Batman apparently has no qualms about taking out -- permanently.

Left: Detective Comics (1937) #29 Page 1 Panel 4 featuring Doctor Death talking with Jabah, his henchman; Right: Detective Comics (1937) #30 Page 8 Panel 6 featuring Batman killing Doctor Death's other henchman, the Cossack.



Detective Comics (1937) #32 Page 6 Panel 7: The Master Monk uses his mental powers to summon Julie from miles away.
Weird-Ass Shit #4: Hypnotic Powers
in a Vampire-Wolfman
The weirdness continues with the strange amalgamation that is the "Master Monk." He seems to be part werewolf, part vampire, and part... psychic?

Detective Comics (1937) #31 Page 3 Panel 4: Bruce Wayne admits he hasn't told his fiancee, Julie, that he is the Batman.
Weird-Ass Shit #5: Bruce Wayne
has a fiancee
The Monk has some sort of mind-control power, identified as hypnotism in issue #31, which he has used on Julie to make her kill some random guy for inexplicable reasons (at least no reason is ever offered) -- Julie, who just so happens to be Bruce Wayne's fiancee. That's right, Bruce Wayne's fiancee.

Batman manages to stop Julie before she kills, which snaps her out of The Monk's mind control. So, naturally the doctor to whom Bruce Wayne brings her prescribes an ocean voyage (?) to Paris to cure what ails her.

Mysteriously, the Master Monk just so happens to be on the same ship to Paris. (Mysteriously not because he's there, but because Batman seems to abandon Julie to his clutches after a brief skirmish only to "rescue" her again by issue's end.)


Detective Comics (1937) #32 Page 2 Panel 8: Batman lugs Dala, The Master Monk's hench-person, around like a sack of potatoes.
Weird-Ass Shit #6: Batman rents
hotel rooms as Batman
Issue #32 opens with Batman in pursuit of the Master Monk only to find Dala, the Monk's victim/collaborator, in his stead.

Dala, who appears to be a vampire, too, after she bites Julie with whom Batman, in his infinite wisdom, sets her up in his hotel room "deep in the Carlathan Mountains." (Apparently the masked crusader who looks like a bat has no problem getting a motel room in Hungary.)


Detective Comics (1937) #32 Page 7 Panel 5: The Master Monk transforms into a wolf.
Weird-Ass Shit #7:Batman Versus
The Were badger wolf Monk
Last Notions:

The weirdness in these early comics books seems to be pitched high as the creators keep piling on one storybook element after another: a bad guy who is a psychic, AND a werewolf, AND a vampire.

Don't get me wrong; I am a fan of comic books (and fantasy and SciFi), but I look for the fantastical to have some sort of internal coherence. I'm not talking about grounding these characters in a modern realism such as Christopher Nolan does with Batman and the Joker in The Dark Knight. (I loved that film, by the way.)

Rather, what I need is some basic character development to provide a logical basis for the impossible to happen. Like the classic SciFi novels that are strong on the "big idea," but lack a clear plot and interesting characters to make that big idea resonate, these early comic books present characters (both the bad and the good) with the psychological complexity of stick figures.

CODA:

Luckily, Batman begins to gain some moral and psychological dimensions in the very next issue, #33, when Bruce Wayne's tragic back story is finally provided.


Detective Comics (1937) #33 Pages 1 & 2: Batman's origin story is finally revealed.


Detective Comics (1937) #33 Pages 1 & 2: Batman's origin story is finally revealed.
(The bad guy in this issue, on the other hand, remains one-dimensional as ever; he has a literal Napoleon complex and is, of course, bent on world domination.)


Detective Comics (1937) #29 Cover
Series: Detective Comics (1937)

Issue #: 029

Copyright: DC Comics

Cover Date: July 1939

Cover Price: 10¢

Page Count: 11 pages

Print Release: 17-May-1939

Digital Release: 10-September-2011



Writer:
DC Comics Logo
Penciler:
Inker:
Colorist:
None Listed
Cover Art:
Source Links:
Story Title:
“The Bat-Man Meets Doctor Death”



Series: Detective Comics (1937)

Issue #: 030

Copyright: DC Comics

Cover Date: August 1939

Cover Price: 10¢

Page Count: 11 pages

Print Release: 14-June-1939

Digital Release: 10-September-2011



Writer:
Pencilers:
Inker:
Colorist:
None Listed
Cover Art:
Source Links:
Story Title:
The Batman: “The Return of Doctor Death”



Series: Detective Comics (1937)

Issue #: 031

Copyright: DC Comics

Cover Date: September 1939

Cover Price: 10¢

Page Count: 11 pages

Print Release: 19-July-1939

Digital Release: 10-September-2011



Writer:
Pencilers:
Inkers:
Colorist:
None Listed
Cover Art:
Source Links:
Story Title:
“Batman Versus the Vampire Part 1”



Series: Detective Comics (1937)

Issue #: 032

Copyright: DC Comics

Cover Date: October 1939

Cover Price: 10¢

Page Count: 11 pages

Print Release: 16-August-1939

Digital Release: 10-September-2011



Writer:
Pencilers:
Inkers:
Colorist:
None Listed
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Source Links:
Story Title:
“Batman Versus the Vampire Part 2”



Detective Comics (1937) #33 Cover
Series: Detective Comics (1937)

Issue #: 033

Copyright: DC Comics

Cover Date: November 1939

Cover Price: 10¢

Page Count: 13 pages

Print Release: 13-September-1939

Digital Release: 10-September-2011



Writers:
DC Comics Logo
Pencilers:
Inker:
Colorist:
None Listed
Cover Art:
Source Links:
Story Title:
“The Batman Wars Against the Dirigible of Doom”